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	<title>Typocurious &#187; Jan van Krimpen</title>
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	<description>an archive of typographic material</description>
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		<title>How to Retain the Qualities of Handwork in Mechanical Production</title>
		<link>http://typocurious.com/how-to-retain-the-qualities-of-handwork-in-mechanical-production/</link>
		<comments>http://typocurious.com/how-to-retain-the-qualities-of-handwork-in-mechanical-production/#comments</comments>
		<pubDate>Tue, 26 Jan 2010 07:05:45 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
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		<category><![CDATA[G. Willem Ovink]]></category>
		<category><![CDATA[Jan van Krimpen]]></category>
		<category><![CDATA[mechanical punchcutting]]></category>
		<category><![CDATA[P.H. Rädisch]]></category>

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		<description><![CDATA[Jan van Krimpen, A letter to Philip Hofer on certain problems connected with the mechanical cutting of punches. A facsimile reproduction with an introduction and commentary by John Dreyfus (Studies in the history of calligraphy and printing No. 4). Cambridge (Mass.), Department of Printing and Graphic Arts, Harvard College Library/Boston, David R. Godine, 1972, 8°, [...]]]></description>
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		<title>Jan van Krimpen</title>
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		<pubDate>Tue, 12 Jan 2010 07:05:44 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
				<category><![CDATA[biographies]]></category>
		<category><![CDATA[Enschedé]]></category>
		<category><![CDATA[Jan van Krimpen]]></category>
		<category><![CDATA[S.H. de Roos]]></category>
		<category><![CDATA[S.L. Hartz]]></category>

		<guid isPermaLink="false">http://typocurious.com/?p=446</guid>
		<description><![CDATA[On assessing the early work by Jan van Krimpen one is struck by the seemingly Germanic influence apparent in design and letterform. It is only after one realizes that, at the moment van Krimpen became interested in them, German printing and lettering manifested the teachings of Johnston and Gill, that this influence is seen to [...]]]></description>
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