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	<title>Typocurious &#187; history</title>
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	<description>an archive of typographic material</description>
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		<title>Evening at Deepdene</title>
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		<pubDate>Mon, 29 Mar 2010 07:05:00 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
				<category><![CDATA[history]]></category>
		<category><![CDATA[Frederic W. Goudy]]></category>

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It is evening! As daylight fades tired hands reluctantly lay by the work not yet done. The old mill with four grey walls rearing high above mossy rocks; its rough-hewed beams that read a builder’s day of long ago, stands grim and silent in the evening air. From its outswung casements’ grated squares we see, [...]]]></description>
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		<title>Very faithfully yours, D.B. Updike</title>
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		<pubDate>Sun, 14 Feb 2010 07:05:09 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
				<category><![CDATA[history]]></category>
		<category><![CDATA[business sense]]></category>
		<category><![CDATA[correspondence]]></category>
		<category><![CDATA[Daniel Berkeley Updike]]></category>
		<category><![CDATA[Linotype]]></category>
		<category><![CDATA[Monotype]]></category>

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Dear Mr. Kent:
I know little or nothing about machines, and therefore take the greatest pleasure in giving you my advice; for my experience is, that the less a person knows, the more free he is in giving his opinion. (Indeed, I find that in theology entire ignorance of the subject is the best qualification for strongly [...]]]></description>
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		<title>On Re-reading Updike</title>
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		<pubDate>Tue, 02 Feb 2010 07:05:55 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
				<category><![CDATA[history]]></category>
		<category><![CDATA[Daniel Berkeley Updike]]></category>
		<category><![CDATA[Merrymount Press]]></category>

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Daniel Berkeley Updike, of the Merrymount Press, Boston, died in December, 1941. Little notice was taken in this country of his death, owing to the state of war and to the fact that our typographical journals had in consequence ceased publication. This omission certainly did not mean that there was any falling off in our [...]]]></description>
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		<title>How to Retain the Qualities of Handwork in Mechanical Production</title>
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		<pubDate>Tue, 26 Jan 2010 07:05:45 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
				<category><![CDATA[history]]></category>
		<category><![CDATA[process]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[G. Willem Ovink]]></category>
		<category><![CDATA[Jan van Krimpen]]></category>
		<category><![CDATA[mechanical punchcutting]]></category>
		<category><![CDATA[P.H. Rädisch]]></category>

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Jan van Krimpen, A letter to Philip Hofer on certain problems connected with the mechanical cutting of punches. A facsimile reproduction with an introduction and commentary by John Dreyfus (Studies in the history of calligraphy and printing No. 4). Cambridge (Mass.), Department of Printing and Graphic Arts, Harvard College Library/Boston, David R. Godine, 1972, 8°, [...]]]></description>
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		<title>Giovanni Mardersteig: A Specimen of Dante and its New Semi-Bold Face</title>
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		<pubDate>Fri, 08 Jan 2010 07:05:11 +0000</pubDate>
		<dc:creator>Typocurious</dc:creator>
				<category><![CDATA[biographies]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[Dante]]></category>
		<category><![CDATA[Giovanni Mardersteig]]></category>
		<category><![CDATA[Officina Bodoni]]></category>
		<category><![CDATA[Stamperia Valdònega]]></category>

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Two years ago The Monotype Corporation paid tribute to Dr. Giovanni Mardersteig on the occasion of his seventy-fifth birthday by issuing a limited edition of a publication devoted to his typographic work with ‛Monotype’ faces. In view of the great interest shown in this publication, we are here printing an adaptation of the introductory essay [...]]]></description>
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